REMEMBER, BUTTERBALL TURKEY IS NOT AFFILIATED w/ GRANDPA's BUTTERBALL
FARMS
BUTTER,
APART from the
fact that grandpa sold the name “butterball” many years ago
to the
turkey
company (as an
aside, grandpa dabbled in the meat business as well,
& always hosted
big
thanksgiving meals
at
the butterball
mansion
:



The Recipe Critic

Peters 4a

 “The integrity of the upright shall guide them.” — Proverbs 11:3



SUMMARY STYLE 1 — CLEAN, FACT-BASED NARRATIVE 

Part 4 contains a series of letters written by Leo Peters to his six daughters during the early 1980s, before the major 1982 inheritance-signover event. These documents reveal the early breakdown of trust within the family, centering on Leo’s unilateral decisions regarding the Plymouth house (the family home) and the financial arrangements connected to their late mother Helen’s estate.

The correspondence begins with Leo announcing his intention to change the mortgage structure of the family home, which the daughters had long believed was partially theirs through Helen’s estate and the trust established for them. Although the daughters clearly raise questions about why the mortgage is being shifted solely into his name and what this means for their inheritance, Leo repeatedly reframes the issue as minor “housekeeping,” insisting it “changes nothing.”

Throughout these letters, Leo uses two consistent tactics:

  1. Sentimental reassurance
    He emphasizes his love for “six wonderful daughters,” repeatedly calling the change a simple “technicality.”
    He thanks them for being understanding, expresses gratitude for having them in his life, and paints the mortgage shift as something done for efficiency rather than control.

  2. Spiritual framing
    He invokes themes of Christian unity, grace, forgiveness, and family harmony.
    He implies that their questioning stems from worry or emotional confusion rather than legitimate legal concerns.
    He subtly suggests that trusting him is the godly path.

The daughters’ questions (not included directly in the text, but inferred through Leo’s responses) clearly show early anxiety:

  • Why is the mortgage being removed from the trust structure?

  • Why are the daughters’ interests no longer referenced?

  • Is their legal protection evaporating?

  • Why can’t Leo put his assurances in writing?

Instead of answering these questions directly, Leo downplays the significance of their concerns. He insists that he has always intended to “balance everything out in the end,” implying eventual fairness while resisting any concrete commitments.

Leo also references financial pressures, including home repairs, taxes, and medical expenses, subtly suggesting that he needs more unrestricted control of estate assets—though he avoids explicitly stating that he plans to draw from funds meant for the daughters.

By the end of Part 4, the tone of the letters becomes increasingly defensive. Leo claims the matter is “not complicated,” emphasizing that Helen’s inheritance was already used for the daughters “by living in the house,” a reinterpretation that contradicts the original trust language. This foreshadows his later argument that the daughters’ inheritance had already been “taken care of,” even though legal documents say otherwise.

The final handwritten memo (dated 1981), although warm in tone, marks the end of this phase. It thanks the daughters for “seeing it” and expresses love — but in retrospect, it appears to be a closing gesture just before the major rupture of 1982, when Leo will pressure the daughters to relinquish all remaining rights.

In summary:
Part 4 shows the early unraveling of trust between Leo and his daughters. It illustrates how emotional reassurance, spiritual language, and selective explanations were used to obscure significant legal changes — especially surrounding the family home — laying the groundwork for the much larger inheritance conflict that follows.